The 2016 Oscars will forever go down surrounded by the controversies about diversity and the hashtag #OscarsSoWhite, which caused various members of the film community to protest attending the Oscars. Host Chris Rock, came out right away and started the jokes about race, mentioning that black people in the 1960’s could have cared less about the Oscars back then because they had bigger problems on their hands. Then he went in on Jade Pinkett Smith and said, “Everyone went mad. Jada said she’s not coming, protesting. Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties — I wasn’t invited.” Ohh that was a low blow for Jada.
From there it was a never ending barrage of jokes on why black people hate, don’t care, and want nothing to do with the Oscars. To be honest with you guys, I was so over it, after about 15 minutes it stopped being funny and it just became almost annoying. It made me think well if you are going to complain about the lack of black people in film, what about all the other races out there who are not represented in Hollywood? Regardless, Chris Rock did do a good job and I found the Oscars to be somewhat entertaining.
Let’s talk about what went down and recap the best, worst, and most interesting moments of the night.
1.Chris Rock as host. I will call it a winning performance by a black comedian and he succeeded at making his predominately white audience feel uncomfortable. I don’t know if I should put this under best, worst, or interesting?
2.Stacey Dash UGH. What the hell was that? She came out on stage for like 2 minutes and said something odd about happy Black History month. What was the last movie she was in? Clueless in 1997? Umm, get off the stage. BOO!
3. Mad Max: Fury Road won 6 awards, all for technical categories and they were aptly deserved. Bravo!
4. Chris Rock did his pizza moment like Ellen and made the audience buy Girl Scout cookies from his daughter’s troop. That was really cute and he had the star-studded audience taking out their one hundred dollar bills because honestly I doubt they had any one’s on them. He later revealed they raised $65,243 dollars and mentioned most of it was probably purchased by the tied up in a prison jumpsuit, Suge Knight (yes it was the actor from Straight Outta Compton).
5. When Louis C.K. presented the award for Best Documentary Short film. His suit looked too big on him, like he bought it for an interview and didn’t have it tailored. He then joked that the people who make these films do it for the love of telling an important story, because let’s be honest they don’t make a cent off these films. He said, “This Oscar is going home in a Honda Civic. … It’s going to give them anxiety to keep it in their crappy apartment.” That was funny, but kind of sad considering they are in a room filled with millionaires.
6. Chris Rock went into a Compton movie theater and asked people about Oscar nominated films. When asked if they had seen The Big Short, Spotlight and Bridge of Spies, people were confused and shocked and didn’t even think these films existed. But they did all have one thing in common they all saw Straight Outta Compton and loved it. I think this segment once again solidified the mood of the night, that the movies black people enjoy were omitted from the Oscars race. We get it.
7. Ennio Morricone won for Best Original Score for The Hateful Eight. At 87, he finally won after being nominated various times in the past. He came on stage with his interpreter and gave a moving speech thanking Quentin Tarantino, his late wife, and gave praise to fellow nominee John Williams. He also said, “There isn’t a great soundtrack without a great movie that inspires it.” Well said, it was truly a sweet and moving moment and he deserved it.
9. Jared Leto in his black Gucci suit with red piping and a floral pin. No one else can pull off this look. No one. Be forewarned, he has pulled off the man bun with ease, long flowing hair, and now this, normal men don’t try this at home.
10. Mark Rylance won for Best Supporting Actor for his work in Bridge of Spies. I think no one was more surprised than him.
11. Two words. Tom Hardy. Forget about everything else. I was sad that he didn’t win for Best Supporting Actor, honestly I was rooting for him, not just because he is gorgeous, but his performance was the most memorable to me. Oh well, he’s still super hot and he did not disappoint last night. Sigh.
12. Alejandro González Iñárritu for the Best Director win! Bravo. I was happy to see him win for the second year in a row, what a feat! A win for diversity, but no one mentioned any of that.
12. When BB-8 rolled on stage with his droid homies C-3PO and R2-D2. They paid tribute to Star Wars composer John Williams and gleefully admired the golden statue. That was seriously cute and a definite highlight.
13. FINALLY Leonardo DiCaprio won his Oscar! He won Best Actor for his tremendous role in The Revenant. His speech was heartfelt and moving, he thanked his parents, Martin Scorsese, co-star Tom Hardy, and friends. He then discussed climate change and urged people to wake up and take notice of what is happening in the world. It didn’t come off as preachy at all and I think it worked with his speech. He ended by saying, “Let us not take this planet for granted. I do not take tonight for granted.”
14. Spotlight took home the Best Picture Oscar and I think a lot of people had mixed feelings on this one. I think it had to win in a way considering the gravity of the film’s subject. I was rooting for The Revenant and I know some of my fellow movie buffs wanted Room and Mad Max: Fury Road to win, but I guess no one ever comes out of this category completely pleased with the results. Regardless of who your favorite was, the message behind Spotlight is a powerful one and producer Michael Sugar said “This film gave a voice to survivors and this Oscar amplifies that voice. We hope will become a choir that will resonate all the way to the Vatican. Pope Francis, it’s time to protect the children and restore the faith.”
15. And finally the closing music. The song that played as the credits rolled was Public Enemy’s “Fight the Power” and it ended the night on the note Chris Rock began on, which was to use his position to take a stance on the lack of diversity and opportunities for black people in Hollywood. Again, I believe Chris Rock should have used this platform to talk about not just black people, but all other races.
I know I missed a bunch of moments and things that happened, the thank you scroll, the Amy documentary film win, Tracey Morgan doing the Danish Girl bit, Saoirse Ronan and her beautiful dress, Alicia Vikander’s win, etc, but then we’d be here forever. What did you guys think of the show? So much went down and I am curious to hear everyone’s thoughts.
And finally Brie Larson ended the night perfectly with a burger, chucks, and an Oscar.
How to Be Single (2016)
Directed by Christian Ditter
Written by Abby Kohn, Marc Silverstein, & Dana Fox, adapted from the book by Liz Tuccillo
Being single can be one of the best experiences of someone’s life and for anyone that is single the best advice I can give is to enjoy it while it lasts. Now for the person who is single, that is probably the last thing they want to hear from their smug friends in long-term relationships or their happily married ones. Instead being single can feel really lonesome, depressing (literally everyone is in a relationship or at least it feels like that), and sometimes the constant disappoint of meeting another douchey guy can be too much to handle. But the reality of the whole situation is that women and men should embrace their single lifestyle and welcome it with open arms. In the film How to Be Single, directed by Christian Ditter and based on the novel of the same name by Liz Tuccillo, the story follows a group of women with their struggles in finding love in New York City.
The story revolves around Alice (Dakota Johnson); she is the type of girl who has always been in a relationship, so when she finds herself suddenly single she is clueless about how to proceed with dating. Cue her friend Robin (Rebel Wilson) who completely enjoys being single and knows all the ins-and-outs of dating in the Big Apple. She teaches Alice a thing or two about navigating a world filled with mixed messages sent via text (never send a guy an emoji right after you meet him it screams desperation) and how to talk to guys at crowded bars.
Alice lives with her older sister Meg (Leslie Mann), an overworked OB/GYN who rarely has time to sleep let alone date. She goes on a mission to have a baby of her own by finding a sperm donor, never really thinking she would meet anyone. When Ken (Jake Lacy) introduces himself to her at a work party, sparks fly and she cannot deny that she likes this much younger dude.
Then there is Lucy (Alison Brie), the single girl who has gone so far as to create an algorithm to try to find the perfect match on a dating site. She has a horrible WIFI connection in her home, so she sets up shop with her laptop and sweat pants at the local bar downstairs where Tom (Anders Holm) the snarky bartender and experienced lothario tries to give her dating advice.
All the meantime, Alice remains stuck between sort of still liking her ex Josh (Nicholas Braun) and meeting interesting new men like David (Damon Wayans Jr.), the single dad who is a total sweetheart. Alice must learn how to love herself before anyone else can come into her life and take pleasure in being a party of one.
I thought the film had a lot of funny moments in it, Johnson was great as the awkward, yet totally cute single gal and of course Wilson played her part to perfection and gave the film its most comical times. Part of me is kind of sick of seeing Wilson play the same persona, but we can’t deny that she plays it well and she embraces every inch of her wackiness which I totally love.
Mann was funny and probably had some of my favorite moments in the film, like when Jake sees her shopping for baby items when he had no idea she was pregnant and she totally freaks out. That was pretty funny and I enjoyed the banter between Brie and Holm. He is slowly coming out of his Workaholics persona and turning into a bona fide actor.
I felt that at many times this film was trying so hard to be like Sex and the City, but I guess anytime you put single women in a film set in New York City its difficult not to make that comparison. I liked this movie more than the annoying show Girls, which again gives us the same NYC scenario; in fact I would have thoroughly enjoyed this as a series on HBO. I think it would be really promising and I would love to see many of these characters shelled out more.
This is a perfect film to see with your girl friends as it just oozes female estrogen in every scene. It could also be a fun date night movie to drag your significant other to or maybe a first date, although that might result in you staying single. But hey it doesn’t matter because being single is liberating, exciting, and a great state of mind to be in at any age.
Also posted on Pink Egg Media
Zoolander 2 (2016)
Directed by Ben Stiller
Written by Ben Stiller, Justin Theroux, Nicholas Stoller, & John Hamburg
Any movie that starts off with the hunting down of an infamous pop star like Justin Bieber is a pretty good movie in my book. In the new film Zoolander 2, we are once again reintroduced into the world of one of the biggest male models to ever live Derek Zoolander (Ben Stiller). This time around though he is not the man he once was and the modeling world has evolved into one where hipsters, bearded men, and androgynous looking people take center stage on the catwalk.
The original Zoolander premiered shortly after September 11, 2001 and it was not an instantaneous hit. It has now become a cult classic due to being a DVD everyone has had in their collection or pulls up on Netflix for nostalgia sake and one that spun off a million catchphrases through the years. What everyone loved about the first film, got rehashed and put in the sequel, but for me it worked. Critics have already begun bashing the film, but I don’t think we should sit here and review this movie on such a critical and high level of aestheticism like we would an Oscar worthy film (come on guys this is not Gone with the Wind). This is simply put a fun movie to watch, a complete two hours of escapist nonsense to sit back, laugh with, and enjoy.
International male models Derek Zoolander and Hansel McDonald (Owen Wilson) come out of hiding, both were in various parts of the world, I mean Malibu and New Jersey, and are lured back into the fashion world via an invitation from Alexanya Atoz (Kristen Wiig) to appear in her upcoming show in Rome, Italy.
Derek has been very distraught; he lost custody of his son with Matilda (Christine Taylor) because he failed to be a good parent. He didn’t even know how to make turn raw spaghetti into a real pasta dish, thus failing to be able to feed his child.
The story this time around revolves around not only the fashion world, but a string of assassinations on the most “beautiful” people in the world, ones like Usher, Demi Lovato, and Lenny Kravitz, who when killed post the infamous “Blue Steel” pose to their social media as a last ditch effort to send a message. Interpol’s fashion division intervenes led by Valentina Valencia (Penélope Cruz) who believes that finding the killer involves unlocking the secret message to the “Blue Steel” pose. She convinces Derek, the man who made the pose famous, and Hansel to help her out. They abide when she promises to find Derek’s son.
Valentina finds Derek’s son in about one minute, she just hops on Facebook and there he is and it turns out he is in Italy too. Derek Jr. (Cyrus Arnold) to his father’s dismay is chubby and a bit fat, which could be considered the “F” word in the modeling world. They soon realize that Jacobim Mugatu (Will Ferrell) is somehow behind the attacks and together they all must figure out a way to stop the mad man.
I literally laughed from beginning to end with this film. I don’t care what the critics say, I loved it. I grew up watching the originals in college and it was always a go-to for me when I wanted to relax. The sequel is just as funny as the originals and is complete with idiotic and dumb nonsensical jokes. I mean they really pushed the envelope here and did some outlandish stuff, but it worked, when you take a film that is so out there like this, it is okay to fill it with silliness.
The cameos were abundant, everyone from Kyle Mooney of SNL who played Don Atari the hipster fashion designer, to Sting who played himself and Fred Armisen as a miniature (literally he had a mini-size head and body) VIP host. There was also every fashion designer and celebrity you could think of from Vogue’s fashion editor Anna Wintour, to Alexander Wang, Marc Jacobs and the surprisingly funny Tommy Hilfiger. My absolute favorite was Benedict Cumberbatch who played the androgynous model named All, complete with no eyebrows and long black hair. The film makes great use of and utilized the cameos for all they were worth.
Stiller and Wilson are always great together and do a good job of playing off one another. I love when Stiller goes back to his comedy roots because he is seriously a comedic gem that sometimes goes unmentioned. I also thought Cruz did really well and does just as well in a comedic role as she does in her more serious ones.
As I mentioned before the film is funny and lends itself for a fun night out at the movies because after all isn’t that why we go in the first place? If you enjoyed the first one, then I think you will get a kick out of it. Overall a funny flick and if you go see this, remember that you will never be as ridiculously good looking, like really, really good looking as Derek Zoolander.
Had to add this pic because it’s too funny.
Also posted on Pink Egg Media
Hail Caesar (2015)
Written and Directed By: Joel and Ethan Coen
Hollywood in the 1950’s was a well-oiled and composed machine that spun out hit after hit. Movies did not have to be of that soulful pensive nature (think The Revenant) or one with guns and plenty of blood (think Hateful Eight); instead they were elaborate tales that showcased grandeur and elegance. Usually the movie screen was filled with the grandness of a fake set with tons of extras and the films seemed so magnificently grand. It was a time when actors were the face of studios and many had to know how to sing and dance and be all around performers. Studios created stars and directors were treated like royalty. In Joel and Ethan Coens’ new film Hail Caesar!, they bring to life the reality of movie making in the fifties and the great lengths studios went to in order to keep up decorum and create the illusion of Hollywood magic.
Written and directed by the Coen brothers, it is obvious that they made this movie because they are lovers of film and in a sense ended up paying homage to it in their own silly way. This movie is so unlike many of their others such as No Country for Old Men, Fargo, etc, yet at the same time it is completely a Coen brothers’ film in the dialogue and the jovial hijinks aspect to it.
The film is about Eddie Mannix (Josh Brolin) the Hollywood fixer, similar to a modern day Olivia Pope, he works for Capitol studios and is in charge of keeping the actors in line and fixing any issues that could make the studio look bad. He is a Catholic family man who enjoys confessing his sins (even the Priest tells him he comes too often), an occasional cigarette despite his wife’s protests and knows how to give an old-fashioned slap around to any Hollywood actor or actress who goes awry.
When one of the studios most famous and handsome actors go missing, Baird Whitlock (George Clooney), he is in charge of finding and bringing him back to the set. Whitlock is in the middle of filming Hail Caesar!, obviously a nod to the epic Ben Hur, and is taken fresh off the set in Roman regalia, sandals, armor, fake sword, and all. I am sure that in looking back at old films, the Coen brothers realized the ridiculousness of some of the over acted expressions that were used back then and they were smartly put into the film. Clooney smiles like a nitwit who barely knows his lines, yet exudes charm that can fill a room.
Whitlock it turns out is captured by a group of screenwriters who are part of the Communist Party. They want $100, 000 dollars in exchange for the actor. They hold him up in a beautiful Malibu home and feed him cucumber sandwiches with the crusts cut off and indulge him in Communist theories. Being that he is so dim, he falls for everything they say and starts to think they are actually really smart. Yes, that’s how dumb he is.
We see that Mannix has a lot on his plate at all times. He places a Western movies actor Hobie Doyle (Alden Ehrenreich), who can sing country tunes and lasso a pony like no other, similar to Gene Autry, in a more serious film Merrily We Dance. Doyle has a pretty face and Mannix knows he would look great up on the poster, but the problem is as director Laurence Laurentz (Ralph Fiennes) realizes is that he can’t act to save his life. His southern drawl gets in the way of his lines and they both interact in one of the funniest scenes in the movie, going back and forth trying to say the line right.
Another side story is that of the beautiful screen starlet DeeAnna Moran (Scarlett Johanssen) who Mannix has to go visit on the set of her Busby Berkeley-inspired movie filled with synchronized swimmers and a grand orchestra. He has to figure out a way for her to adopt her fatherless child, so that she doesn’t look bad in the press.
One of my favorite scenes was the musical number by Hollywood heartthrob Burt Gurney (Channing Tatum), who performs a tap dance routine straight out of a Gene Kelly movie. Clad as sailors, Gurney and his fellow men, sing a tune and dance that turns a bit homoerotic, but that lends itself to the fact that movies back in the day didn’t realize they were being so friendly and gay.
Clooney was fantastically funny and played the part to perfection. Tatum was rightly cast as the dancer of the group and his scenes literally had me cracking up. The way he looked at the camera, he was definitely playing into a Gloria Swanson type persona. Yes, Mr. Deville, Tatum is ready for his close-up.
My favorite performance was from Ehrenreich, who stole the film with his ability to act so naïve, yet, debonair at the same time. I look forward to seeing him in more films. Brolin carried the film from start to finish and exuded the grit necessary for the part.
Overall the movie had a lot of different stories and actors running through it. I didn’t even mention them all, but together brings about an ensemble cast that leaves us wanting more. I felt some actors were underused and I wanted to see them on screen more, but with so much going on that was virtually impossible. This was not my favorite Coen brothers’ film, as I am a huge fan of Fargo, The Big Lebowski and Inside Llewyn Davis, but it was pleasantly good. I can’t rave about it because I felt it was missing something from the end and honestly I left wanting a little more. The film had a lot of funny moments and great dialogue and it is a must watch if you are fan of the Coen brothers and want to add this to your repertoire.
Directed by Baltasar Kormákur
Written by William Nicholson, Simon Beaufoy
In Jon Krakauer’s book Into Thin Air: A Personal Account of the Mount Everest Disaster, he says that “Attempting to climb Everest is an intrinsically irrational act – a triumph of desire over sensibility.” This statement is perfectly understood and put into perspective in the film Everest, directed by Baltasar Kormákur, which depicts the events that occurred in the fateful 1996 Mount Everest expedition. The desire to reach the summit overtakes many of the climbers, as they spare all rationale reasoning at many points of endangerment for the ability to reach the top.
I saw the film in IMAX 3D and it encapsulated the grandness of Everest in every scene. The cold air and ice chips coming off the mountain looked dangerously frightening, yet breathtakingly beautiful. In fact the entire film looked like it came straight out of a National Geographic documentary.
The story is centered on the two expedition leaders and their groups who have come from all over the world to try to conquer climbing and reaching the top of Mount Everest. Rob Hall (Jason Clarke) is the leader of Adventure Climbers and as his rival puts it, is the type of guide who walked his group through every motion up the mountain. Scott Fisher (Jake Gyllenhaal) on the other hand is more of the wild man, drinking scotch in his coffee cup at base camp and one who firmly believes that if a climber can’t get up to the top, then they shouldn’t be on the mountain.
From there we get the stories of many of the climbers, there is Doug Hansen (John Hawkes) the mailman, Yasuko Namba (Naoko Mori) the quiet woman who had already climbed 6 of the tallest peaks and the fierce Texan Beck Weathers (Josh Brolin) just to name a few. Also on the expedition with Hall is writer Jon Krakauer (Michael Kelly), who is there to do a piece on them for Outside magazine. At one point Krakauer asks everyone why they are there, why would anyone want to achieve such an impossible mission? They all seem to keep that answer close and laugh it off, but it is obvious that what motivates them is that desire to teeter between life and death, between a world that can be grasped to one that only few have ever seen.
Throughout the film, we also get the stories of Hall’s wife, Jan (Kiera Knightly) who is at home stressed and pregnant and Weather’s wife Peach (Robin Wright) who seemingly feels off about her husband being away on his expedition. They both expressed that foreboding feeling and we could see that their women’s intuition was sounding off with their husbands being away. As many of the climbers put it, these climbing expeditions tear wedges between families, but with these two ladies we see that as impossible.
The film was beautiful as I mentioned before, I was on the edge of my seat for most of the film, even though I knew what was going to happen. Each time they crossed a crevasse on what appeared to be a ladder that was shaky, I felt myself holding my breath. I liked how they showed when they would cross ridges and mountain edges that it appeared they could fall off at any second.
Some of the best acting came from Emily Watson who played Helen Winton, the base camp mother and the one that Hall had to communicate with for information. The sense of desperation and at the same time hope could always be seen in her eyes. Clarke really carried most of the film and was fantastic. Gyllenhaal always delivers for me, but I felt that he was barely in the movie. I would have liked to have seen more of him and his team.
Brolin and Hawkes were really good in this too; I couldn’t stop focusing my attention on them. It was nice to see Sam Worthington as guide Guy Cotter back in action. I feel like he is barely in any movies nowadays, which is a shame because when he is given good material he is a great actor.
I thought Everest was a good movie, not great and not horrible. What I disliked about the film was that at some points, there were just too many characters and their stories going on at the same time. I would have liked it to been a little more focused. The movie is two hours long and I believe much of that time is taken because much of the movie is spent showing us the mountain. The cinematography for the film was wonderful and many of the shots were magnificent, but I believe that is where we lose much of the fact that this is a movie, not a documentary about Mount Everest. If the film had been tightened up a little more, with a firm and cohesive storyline, it would have been off the charts great.
This movie was a treat to see in theaters. But now that it is on DVD it is worth a watch if you are a fan of drama and adventure stories.
(Real life Everest expedition crew)
Written by Phyllis Nagy (screenplay), Patricia Highsmith (novel)
Directed by Todd Haynes
Patricia Highsmith wrote The Price of Salt in 1952 and through her novel chronicled her own feelings about her sexuality through two fictional characters. Known to have had relationships with women, she underwent various psychological treatments in order to rid her of her feelings and to force herself to get married to a man. It never worked. This outpouring of emotion, tense and terse, is translated perfectly into Carol, the film adaption of her book by Phyllis Nagy.
Directed by Todd Haynes, who also did I’m Not There, Mildred Pierce and several others, he knows how to not only shoot the female viewpoint, but also can capture the essence of a moment with a quietness about it. In Carol, we see how important and central a mere look or glance is and the physicality of a simple touch on a shoulder. Those soft and what sometimes seem like meaningless moments between people are actually highlighted and made important.
Set in the fifties, an era when two women seen touching, let alone being in a relationship, was a preposterous idea, Haynes shows the two central women in the film having moments with touches or looks seem electric and almost scary. As if we the audience know that what is about to transpire between them is completely real and filled with a mixture of lust and love.
The story is about a young toy shop keeper, Therese Belivant (Rooney Mara) and her relationship with the older and glamorous Carol Aird (Cate Blanchett). Even her name sounds magical and seductive (just like her cheekbones); she is everything that Therese is not both good and bad. Carol is in the process of getting a divorce from her husband Harge (Kyle Chandler) and both are fighting for custody over their little girl Rani. She seems as if everything she does has glamour and charm to it, from the way she brushes her hair to the way she orders a martini. Therese is a budding photographer who sees life through a lens, unsure of whom she is or what she wants out life, she carries herself with a certain naiveté. She seems very disconnected from her boyfriend Richard (Jake Lacy) and unexcited about the possibility of traveling to Europe with him or even getting married. At a time when most young girls aspired to be married, she is completely modern in eschewing those traditional roles.
One day Carol leaves her gloves behind at the toy store. Did she do this on purpose? We’re not sure, but it proceeded with the reaction I am sure she intended. Therese has them delivered to her and Carol thanks her by taking her out to eat lunch. During this lunch the two look at each other with a fondness for one another, but nothing is clearly ever stated. Instead it is drawn out, Carol invites Therese to her upstate home and from there the relationship continues to bloom. Therese begins to see that Carol’s relationship with Herge is volatile and unkind, but she continues with her. When Carol invites Therese on a road trip to get away from it all because Herge will have their daughter during Christmas time, Therese willingly agrees. A few scenes before, we see Therese dismiss her boyfriends invitations to travel all around Europe.
What transpires from there is a romance that evolves on the road. Many scenes take place in the car, with Carol looking fondly over at Therese, who always seems perplexed and staring out a window. Their romance is subtle, but it starts to become very obvious that they are in love with one another.
One of my favorite scenes was when Therese is sitting at a vanity and Carol comes up behind her. Carol puts her hand on Therese’s shoulder and she firmly holds onto it. They both look into the mirror as if they are facing who they really are and the sexual tension in the air can be cut with a knife. To be able to show that sentiment in a movie, and to truly feel it as an audience member, is quite difficult, yet it plays out with such ease. We feel as if we are in their world, intruding into something we shouldn’t be part of, but there we are smack dab in the middle of it and we have to embrace their tension and run with it.
Blanchett delivers one of her best performances, as if we thought she couldn’t get any better with her work in Blue Jasmine. Her hardened smiles are distinct and she brings to life a character that has an infinite amount of layers and emotions to shed. Mara was equally phenomenal, she restrains herself so much and that is exactly what this character needed. She holds back her emotions, but it’s obvious that she is weak in the knees for Carol.
Chandler as the distraught and jealous husband did great against these two actresses. I am surprised he didn’t get nominated for his work in this film. He was powerful and deserved some credit.
Carol is a beautiful film, the cinematography and the costumes were quite gorgeous. All the details in the film only serve to add to the story and authenticity of it. This felt like a real story, not a made up one for Hollywood’s sake. It’s a story that needed to be told for those who lived in that era and for those who live in an era of freedom of sexuality and to realize that they should never take for granted the freedoms they have now. If you enjoy dramas with a lot of heart and feeling, then this is a great choice for you.
Also posted on Pink Egg Media